#usually i won't even have to think when i write

[senmiyaazx]

Can you do reader that has SH scars or Them finding out that reader SH's

With Sol & Hyugo..!

But it's ok if you don't do it since its a sensitive topic!

tw: sensitive topics, self harm

a/n: can't decide which format i want to use for these kind of requests. thank you for the request <3

important note: if you're struggling with sh, please tell someone you trust or seek help. i do not know you, but i know that you are not alone in this. i hope things get better for everyone who's reading this:)

SOL:

Reader still does sh:

Oh, he's worried. Extremely worried. How could he not notice all this time? How could he not notice his darling was in pain? He feels horrible. Whether he discovers it accidentally or not, rest assured he won't pressure you into anything. He'll listen to your story and problems when you're comfortable and ready. He'll pull you into a hug while holding back tears. He's been through some shit and he knows how it feels. But he never wants to see it happen to you. If you're doing this because of someone, Sol will make sure they're taken care of. You don't have to worry <3 If it's because of something else and more personal, it's okay. He'll be with you till the end of time. From now on, he makes it his mission to watch over you more closely whenever he can, no matter how unethical. He's more subtle this time, though. He doesn't need you stressing even more.

He's still worried. And also a little upset. That was from a long time, wasn't it? You didn't know him back then. He wonders if he could've comforted you out of it, held you in his arms while you weeped. If only he could turn back time... Alas, there's other things to worry about. He's glad to hear that you're recovering, and you promised to never do it again. He'll help you on your journey. Sol isn't the most mentally stable himself, so I don't think he'll be much help either lol but for you? He's searching and making lists of healthy coping mechanisms he can give you. Thinks your scars are beautiful. He hated how it was made, but now it has faded and all that remains is the symbol of your strength and the fact you've made it this far despite being in an extremely tough situation. He'll kiss you on the forehead and tell you how proud he is. How happy he is.

Reader has sh scars (recovering):

HYUGO:

Reader still does sh:

He's very mysterious. I find it hard to write for him. Hyugo feels a mix of emotions wash over him when he discovers it. Shock, sadness and anger. Shocked, because like Sol, he couldn't believe he didn't notice anything until now. Sadness, because he couldn't imagine the pain you went through to resort to such thing. Anger, at himself and anyone or anything that caused you pain. He knows he can't use jokes or happy things to lighten up the mood like he usually does. Instead, he gently guides you to his arms and wraps you in a warm embrace. He'll whisper comforting words while you tell him things that have bothered you and asked you to promise him you'll never hurt yourself again and in return, he'll help you heal. You're hesitant. You didn't want to feel indebted to him, but he insisted. His determination made you embarrassed so you agreed. Since then, he's been extra caring (but not overbearing) to you and made sure to check in on you every chance he gets. If somehow he doesn't get to see you for the entire day, he'll call you in the middle of the night to ask about your day and it ends up being a long session of late night talks. Or he could just knock on your door and you'd let him in anyway. He knows he can't entirely prevent bad things from happening, but he can help lessen it for you. He'll be your sunshine, where you'll never feel miserable again under his bright smile. Of course, you do the same for him. You help each other out in your own ways eventually

Reader has sh scars (recovering):

When he first saw it, he didn't overreact or give a strong reaction. He smiles softly and grabs your hand, praising you for getting through your problems and even start to recover. It's something not many people are strong enough to do especially in your situation, but you did. And he makes sure to emphasize that. You guys end up sharing each other's experiences and stories (mostly you, he's still secretive and doesn't want to reveal anything bad) and find things you two relate to. He's overall a chill guy to have around. He won't make a big deal out of it if you don't and it's honestly really comforting. You don't notice it but he's secretly a little more cautious and gentle with you. He makes sure nothing hurts you again.

[mullermilkshake]

A lasting impression - Part three

Part one, Part two, Part three, part four (Coming soon)

Wife! Reader x Yakuza!Sukuna MINORS DNI 🔞 - Tags: NSFW, Wife! reader, Yakuza AU, established relationship, mentions of blood, gore, violence, kissing, heavy petting, smut to come.

"Sir," Uraume waited by the door of the car and opened it for Sukuna's exit.

"Where is she?" he slipped out of the car and moved with purpose towards the double doors of headquarters.

"Your wife is waiting for you in her study. I applied the necessary first aid and after care myself."

"Good. that'll be all for tonight, Uraume."

Sukuna left them behind and made his way towards his personal quarters towards the inner part of the property, private enough to scream bloody murder and no one would hear unless he wanted them to.

The only place in Ryomen headquarters that no one other than Uraume was permitted to enter.

A place where you and him could converse freely and live life as though the Yakuza world wasn't just waiting outside those outer doors.

No one dared to even look him in the eye when he marched himself down the hallways and left nothing but the padding of his bare feet on the wine red carpet to match the red all over his body.

Perhaps that was why everyone he passed looked away and bowed far deeper than usual. Not that he minded it at all. It was just the way things happened, including how he was covered head to toe in the blood of his enemies.

When Sukuna arrived at his private quarters, you were right where he expected you to be, sitting at your desk writing something in your leather bound journal.

He entered without knocking, knowing the ins and outs of the study with his eyes closed, knowing the art ladened walls and antique gold lined vase off in the corner like it was his own office. For no one, not even Uraume had access to.

You didn't initially react to his presence, still writing and nursing your cheek with an icepack. "Did you get it all out of your system?"

If it wasn't such a serious time, Sukuna would have chuckled at your attitude seeing as you knew him so well.

"For now," he closed the study door and made his way to the desk. "let me see your cheek."

He stroked the back of your hand with his index finger which prompted you to close your journal and settle the icepack down on the wooden surface.

"Are they dead, or just gravely injured?"

The bruising had taken a hold of your flawless skin, bright red and purple from impact so disgustingly placed on display for all to see. It stoked the pit of lava in Sukuna's stomach enough that he could go out and punch the next person he saw just to quell it for just a second.

It took a moment of loosing himself in your eyes for you to respond to the silence. "I don't think I need to ask, actually. Did you leave a note per chance?"

Sukuna thought back to Awasaka's disembowelled abdomen. "Of sorts."

His knuckle moved and grazed your cheek, dragging slowly and barely brushing past the injured skin so as to not cause you further pain.

Fuck, you were so beautiful. "This won't happen again. And when I find everyone involved, they are going to wish that they endured a quick death when I'm through with them."

Then, you responded to Sukuna in a way that caught him off guard. "Do what you need. Though if it pleases you, I hope you'll let me watch."

Now you weren't opposed to him using violence. You had seen your fair share in the time that Sukuna had known you, it was a fearless part that drew him to you in the first place. But openly asking to be a part was nothing you had voiced before.

He leant against the desk, propping himself onto it to look at you more clearly. "If that is what you want."

And for some reason, Sukuna felt that down to his very soul.

A characteristic that made him fall in love with you all over again.

The way you looked up at him just now, though he was still drenched in Awasaka's blood. Something lustrous and hungry, excited and feverish for an outcome only he could provide.

Sukuna would have given everything up to ensure your safety. His little kingdom, the wealth the Ryomen clan had accumulated, even his life.

Anything for you. Everything.

"I very much want it."

His strength, confidence and brash nature were traits that interested you, things that drew you too him like a bee to flower petals, just watching him from the background with your own perfect traits that collected Sukuna with magnetism.

You could handle yourself physically and most importantly, mentally. There wasn't a time he had ever really seen you loose yourself or seen you display emotions that were drastic. You didn't even loose your temper like people expected a person to.

Right now he knew you were seething, though from an outsiders perspective you were just sitting at your desk asking questions.

Sukuna's hand had cupped your cheek softly and cradled you, his thumb rubbing just short of your ear. "Then you shall have it."

It was rather abrupt, again, being out of the ordinary for you. You shot up from your seat and moved close to him, close enough to plant your palms flat on the desk either side of him.

"Good. Because I'm rather disappointed that I missed out on the show," you nodded to the red bloody marks all over his clothes and hands. "To think you did all this for me and I never even got to see the fun."

Shit. For a moment Sukuna was dumbstruck. Only for a moment before his cock did the thinking for him. If he was a better man, he would have showered first before touching you. but seeing you as you were, pressed close with your chest rising and falling stopped him thinking rationally.

What could he really say in response to that?

"Was it painful?" you eyed him closely, tracing your finger over his chest.

"Yes."

"Did they make you work for it?"

Sukuna finally found his footing and traced the curve of your hips under his palms. "Hardly."

"That's good," getting closer, your lips barely brushed his own, the splatters of blood never deterring you. "An easy fight can be pointless. But it still sure does work up an appetite."

Not even a second more, Sukuna did not allow you to breech the gap between you, he yanked you towards him so quick that teeth almost clashed together and took your lips like he was an extension of you.

He was going to have you right there over your desk.

Sukuna pulled away momentarily, scrunching your hair between his fingers as he inched up the back of your neck. "Having you, leaves me ravenous."

"Have your fill then," your teeth pinched at the edge of your bottom lip.

So he did, in a fluid motion Sukuna turned around and had you on the desk with your back flat against it. Objects and stationary slipped and crashed off of the desk along with the icepack.

Your hips were flush against his, legs wrapping passionately around his waist. His crotch was straining against the material already, begging to be let free right between your legs. The supple skin plush of your thighs sat like velvet under his fingertips, reacting to his touch with shudders.

"Who knew that getting your own way could make you even more tantalising?"

You were spoilt. Sukuna had spoiled you. And he loved it.

Everything and anything you asked, you got. Because he would always give in no matter how outrageous the request was.

Though you never asked of much. Just him.

It was Sukuna who gave you everything. And then you had requests like this.

To see you witness himself at his worst, covered in blood and full of rage so much that he enjoyed it. Absolutely jaw droppingly insatiable.

Much like now since most of the blood had dried, yet some still transferred on to your skin. Your slender fingers clawing at his shoulders leaving red in the fingerprints.

His thumb traced the edge of your jaw, noses rubbing the other so that his lips ghosted over your own. In the six years you had been married two him, he had a good grasp on what you were thinking.

Your eyes watching him with adoration, did his look the same?

He loved you so much.

"Love me," you said, showing the smallest hint of vulnerability.

And he would, ten times over.

[levandright]

omg this is my first time doing one of these i’m sorry if my answers aren’t good 😭😭 i’m usually described as very hyper and funny by others, i’m very loyal and i try my best to be nice to others. i love reading and listening to music and watching romcoms. i’m a capricorn. my ideal type is somebody tall, kind, shy and quiet. i also love when they’re chaotic and hyper idk it’s a mix of both maybe??

my favourite trope would be like the boy next door trope and enemies to loves like mixed together but those two separately are also good !! my favourite season is winter and hobbies of mine are reading, writing poems, baking, and beauty related stuff like doing makeup (idk what else 😭)

i would like to be matched up with nct dream !! i’m sorry if the information is confusing once again <3 and congrats on 200 followers !!! 🫶🫶

FINDING YOUR MATCH...

MATCH FOUND! your match is... PARK JISUNG

JISUNG loves how energetic you are, your humor just matches his perfectly. you always have him laughing at one of your quick-witted jokes. being by your side he's albe to unleash his playful and cheeky side. often teasing you in lighthearted and affectionate way that sometimes leave you blushing.

JISUNG is easily able to match your energy when you're both alone, but when you're in a more public setting he easily gets shy. (he can't help it you know!) though he's shy in public doesn't mean he won't go out his comfort zone once a while to see your surprised expression ;). its worth the judging stares of single passerby's he thinks.

JISUNG and you have a tradition of having a snowball fight every winter time, often competing who'll hit the other more. you always win somehow. he's totally not letting your snowball hit him on purpose he says.

JISUNG loves loves building gingerbread houses with you <3 even if he always end up breaking something while making the gingerbread house, his gingerbread house often looking like an earthquake hit it with a 10.0 magnitude. which often times lead you to teasing him, sometimes he'll get all sad and pouty just to make you hug and comfort him(an evil mastermind he is…)

JISUNG wants to bake with you, but one time he almost burned your shared apartment down because he let the oven on for longer than the needed amount, you've banned him from touching the kitchen since (he says he won't do it again though, maybe you should give him another chance-)

JISUNG would let you practice your makeup skills on him, he'll just be staring at your face like some love sick puppy though, you often get flustered if you kept eye contact with him for more than 7 mins.

your custom playlist <3

✮ lev notes : TYSM!! dw it wasn't confusing <3 I HAD SO MUCH FUN WRITING YOUR MATCHUP hehe :33 hope you'll like the songs i choose for your playlist :D ✮ want to find your own match? apply here! curious about other matches?

[mellosdrawings]

noooo not the n2 ship 😭 omg people can be so weird sob sob you have more drawings of them as adults and frankly why does it even matter?!? it's not even an illegal ship sob (eg. incest or smth else that normally turns heads in fandoms) if you don't like it, don't read it???? (i personally like it tons!)

-🥬

(About this post)

Well, you know, it's the usual Leojami age difference discourse. I just delete those comments anyway, but I'm glad you like the N2 squad :3

I won't develop too much since I don't want this blog to be about discourse (I'm giving my opinions plenty on my sideblog) but here's what I think about these topics:

-I'm vehemently anti-censorship. I don't think something shouldn't ever exist and I will never push for something to be censored, even if it's stuff that makes me uncomfortable. I think warnings about particular contents are great, but in the end it's my responsibility to curate my experience with banning # and blocking people, etc etc. Even illegal stuff should be portrayed. If people can draw/write about murderers and conmen without a fuss, then they can also do that about taboo/illegal sexual topics. Depiction is not endorsement.

-I believe the reader/viewer is the one who injects meaning to art/stories. I'm an artist and all the things I do mean something, but that meaning doesn't prevail over the meaning my viewers inject in my art. I regularly see people "misreading" my comics in the tags, but it doesn't matter. Their interpretation is just as valid as mine, and if they wanna see ships where I didn't mean to draw ships, or if they interpret a scene as negative when I meant for it to be positive, then it's either my role as the content creator to be more explicit/obvious with what I meant, or to simply let my viewers have fun however they want with my stuff. I don't believe in the "there's only one valid interpretation and everybody who thinks otherwise is wrong".

(That's also why I don't really believe in DNI. People you disagree with will interact with your stuff anyway, caring about those things will just anger and tire you for nothing. I try to avoid interacting with people who have DNI that probably include me? But considering "proship" means anything and nothing it's hard to tell whether N2/LeoJami is considered a proship or not.)

Tldr: I'm anti-censorship and I think everybody should make and enjoy the content they want, even if it's topics that are usually frowned upon. Imagination is the one place one should be able to go hogwild without fearing retribution.

[chimindity]

Soft spot

summary | Barry finds himself having a soft spot for reader. request by @/anon

pairing | barry x reader

warning | reader being on drug and all that stuff :0

A/N | ughh i love writing about my man 🙈

.・✫・゜・。..・✫・゜・。..・✫・゜・。.

barry told himself not to get attached to any clients, just giving them their stuff and getting the money, and that’s it. but ever since barry became your dealer, his soft side started to grow around you. if you don’t have enough on you, he would absolutely let you pay the next time. and as oblivious as you are, you thought it was a normal thing to do for a dealer.

you stumble your way to his trailer, hammering on his door, quickly getting annoyed and impatient, deprived by the lack of substance in your blood. “barry, please open the door!” you yell, hoping he can hear you through the thin walls of his trailer.

as you were about to lose hope of him opening the door, you finally hear him talk, “no can do, sweetness. you've had enough; get back home.” his tone is firm. it's been two weeks since you ran out of drugs, and you need it now. you let out your emotions, sobbing as you keep knocking on his door. “barry, i'm begging you! just open that damn door!” you whine. at this point, you don't care if you're acting pathetic.

you sit down against his door, waiting in case he would open it. you sniffle into your sleeves as you keep rambling about all the reasons he should let you in. “barry, please, why won't you open it?” he hears you behind the door and can feel his heart clench at the sound of your crying. he sighs and eventually decides to open the door, causing you to quickly turn around to face him. a wide and reassured smile lights up your face at the sight of him.

you throw yourself around his neck, thankful to him for opening the door. your emotions are mixed as you keep crying in the crook of his neck. “thank you, barry, thank you. i—i need it,” you slur out, and he slowly pulls you away, then closes the door, leading you to his couch. “what's going on, huh? you told me you would stop it,” he says, sitting beside you and manspreading on the couch.

you break down in tears, bringing your hands to cover your face. “i need it now, just give it to me. i—i promise i'll pay you next time,” you stutter through your hiccups. meanwhile, barry doesn't know how to react. he knows he should give you a small bag of drugs and let you go, but he can't seem to do it. he feels his heart tighten at the sight. “no, no, no, that's not how that works, pretty girl. money or not, i ain't giving you some,” he softens his voice, finally bringing his hand to rub your back in a soothing way.

at this point, you don't even realize he scoots closer to you until he brings your shivering figure into his arms, hushing you the best he can as you keep sobbing. “it's so hard, barry,” you mumble into his shirt. he rests his chin on top of your head while listening to your usual yapping session that happens when you're lacking drugs. he knows how hard it is to suddenly stop taking drugs

“let me take a look at you,” he whispers, gently lifting your head with his hand and looking into your teary, puffy eyes. “you're tiring yourself out, huh? all that crying won't make me give you what you want.” he wipes your tears away with his thumbs. your bottom lip quivers as you begin to calm down, and you sheepishly shake your head.

barry has always given you the amount of drugs you needed, although you don't understand why he doesn't want to give it to you when you need it the most. you finally take your courage and look up at him. “why are you doing this?” he swears he has never felt that kind of protectiveness toward someone before. he thinks for a moment before looking back at you. “you think i don't give a fuck about my favorite client? i'm tryna lead you to the right path, kid, and drugs ain't the right one.” he smiles at you in a comforting way, gently running his fingers through your hair.

you sniffle and slowly rest your face against his chest, accepting the fact that he won't give you any drugs anymore. “do you think it's normal that i always feel safe with you?” you look up at him, his arms caging you in, pressing your body against him. he chuckles a bit as he looks down at you. “how's that? i'm just being nice around you, nothing else.” he hums and lightly pats your head, motioning for you to rest a little before tucking you in his bed. he sits on a chair in his bedroom to watch over you in case you need him.

taglist

@jjsfavgirl ; @nemesyaaa ; @mrvlxgrl ; @tinylilacbun ; @jjmaybankssurfergf ; @mylettterstoyou ; @sweetstars-posts ; @hallecarey1

[creatingblackcharacters]

Hi! I love your work - it's been really helpful to me, especially your lessons on horror and depictions of violence.

You mentioned that there were some forms of violence that you'd feel uncomfortable seeing used against Black characters because of their historical context. I was wondering - were there any kinds of violence that you'd be uncomfortable seeing Black characters use against others? The reason I am asking is that the main characters of a project I am working on - two of whom are Black - are morally grey in a "cartoon villain" kind of way. They use a lot of exaggerated violence, but it's usually directed against even worse villains, and it's meant to be played for laughs. (If you know the band The Mechanisms, it's pretty similar in tone to their stuff.) One of the Black characters, E., is a high-profile art thief and assassin, while the other, B., is what would be called an "eco-terrorist" (I have problems with that term but that's beside the point) who's done stuff like blowing up oil pipelines and dams. Do you know of any similarities to real-life issues that I should be careful about when writing these characters?

Thank you so much!

Your premise sounds fine.

Personally, what's old to me is the Black Girl Bully, and that form of "social" violence, I guess. It feels like the reverse never really gets addressed; particularly the social violence of White Womanhood™. But anyway, we get it, you think the angry Black girls and women are so mean to the innocent, "just want what's better for everyone" white main character who plays as the savior. 🙄 I'm so sick of that. The writing is almost never done well enough, and even when it is, by then I still hate that they have to "soften up" from "being a threat" to work with the white character. It feels like a roundabout way of saying "be more palatable or you're a problem".

Though, tbh, if there was gonna be a Black villain, I personally would like to see it go whole hog. Like if you're gonna force me to uphold whiteness as the standard, I wanna see that villain be a VILLAIN, put them THREW IT. So I can't say that there's a level of violence I won't accept, so much as how are the characters being treated in that moment. Am I here to watch the poor nonblack characters that we coddle bc they're perfect fight against the evil, wicked dark-skinned Black lady, or am I watching the protagonists fight a good villain?

But that's fighting people's beliefs, too. Writing Superman with a Black Lex Luthor is going to generate different responses, despite the story being of the same quality with the same script.

Also, just regular stereotypes in general are to be avoided. As per usual, it's all about how you write your characters.

[yuutsunaoi-writes]

i have three fics that are incomplete at the moment and all of them are from three different fandoms - but i genuinely can't bring myself to write long stories these days TT

may do more of those poems like the one i did with keith; it's fun!!

i have two more poems like those. (i might be making this into a thing and will have to add a new fandom into the masterlist asdfghjkl)

hopefully writing these poems would eventually give me the energy to write longer stories!!

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[goldkirk]

as I'm going back over my past history and items and journals and years, I come across all sorts of things, like the pencil I saved from that so-precious memory from second grade, and a pair of flip flops I've been missing for two years, and [checks notes] the modern-high-school-AU-kidnapped-by-a-serial-killer story I wrote in late high school jdfsjdfsjkjlksfd

[icewindandboringhorror]

Recent game related things .. hrmm...

[medicinemane]

Honestly a lot of the time, it's not even about people having to agree with me, it's about needing to know that they actually heard and listened to what I had to say even if it didn't persuade them

Just... some basic indication that there's enough respect to give a shit about what I said, and also to make sure that they disagree because they actually disagree and not cause they just didn't bother listening

It's all I really ask

[tardis--dreams]

Feeling homicidal at work today ♡

[moe-broey]

I <3 blowing up my save files mid-playthrough or after I've beaten the game and feel aimless or I'm three hours in and incredibly indecisive and perfectionistic and have to start over Better this time or I just get really into One Idea and blow up the save for the sole purpose of achieving the One Idea and once I have it's like. Well. What was the point of that actually. And then I blow it up again

[lorebird]

The mainline pokemon games' poor writing is very frustrating 75% of the time because it's either close to being good or just a complete waste of potential. However the other 25% of the time I fucking love that nothing is fleshed out because then I can hit it with Autism Blast and do whatever the fuck I want

[ashtcnirwin]

🌻

[deoidesign]

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!

This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.

This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions in your writing, but you absolutely should continue to do your own research outside of this guide!

This is NOT a medical resource!!! And never tell a real person you think they're using a cane wrong!

The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!

A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.

Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height can make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)

(some people elect to use a cane wrong for their personal situation despite this, everyone is different!)

(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)

When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane and the bad leg and follow with the good leg!

Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.

In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.

Now we come to a very common mistake I see... Using fashion canes for medical use!

(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)

The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!

Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.

The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!

This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!

However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.

Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)

Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.

Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)

(my canes, for reference)

If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!

When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!

For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.

When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)

When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)

That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!

Happy disability pride month! Go forth and make more characters use canes!!!